Archive for January 29th, 2014

But if I DID Do it…

January 29th, 2014 | Posted in General

It would look like this… Clicky to embiggen… READ MORE

Sketch o’the Week- The 12th Doctor!

January 29th, 2014 | Posted in Sketch O'The Week

The BBC just released the first image of Peter Capaldi as the Twelfth Doctor, complete with his costume, so I could not resist doing a drawing of him as the official Doctor. I will NOT be issuing another limited edition print with Capaldi added, because that would just not be right. I am happy that the drawing I was doing of him as the “12th Doctor option” on the current print was not too far from his actual look in the show: For the few remaining ones of these I do, I will get the specifics of the costume more accurate. BTW, I have less… READ MORE

Sunday Mailbag: Time on Concepts?

December 29th, 2013 | Posted in Mailbag

Q: Just curious how long you spend on the concept stage of an illustration. I am thinking about the piece you did “Abysmal House” for MAD. would think the conceiving of who will go where and what they will be doing has got to take a huge amount of time for something like that. Are there “super roughs” we don’t see that work out design, body position, etc. and then submitted for approval before proceeding or do you go right to what we are privileged to see as a sketch? Can you describe your process of conceptualizing an illustration? And somewhat related, any tips on… READ MORE

Now Available- The Mad Art of Caricature DIGITAL COPY!

November 29th, 2013 | Posted in News

Since I self-published The Mad Art of Caricature! I’ve had a lot of people ask me when or if I’ll ever have a digital version that can be downloaded and read on the ubiquitous iPad or other tablet devices. I have been reluctant to do that because I didn’t want to make it so easy for the inevitable pirating of my book and its distribution for nothing via unscrupulous “sharing” websites. I have rethought that position, and now am happy to announce that The Mad Art of Caricature! is available via a PDF digital download immediately in my Studio Store! Why the change of heart?… READ MORE

DC Comics Moving to Burbank

October 29th, 2013 | Posted in MAD Magazine

Holy melanoma, Batman! Back in 2010 DC Comics, in an effort to integrate DC Entertainment more into the Time/Warner entertainment division, moved its digital and multi-media sections out to the Warner Bros. complex in Burbank, CA, but left the publishing end of DC Comics in the New York offices. At the time they said that the “New York publishing culture” was important to the division and that publishing operations would stay in NYC. At the time I said: “Good news for MAD, because I doubt many or any of the current staff would be too interested in relocating from NYC to Burbank. I’ve got nothing… READ MORE

Inside MAD- Sergio Masterpiece!

October 29th, 2013 | Posted in MAD Magazine

Speaking of the new “Inside MAD” book…EntertainmentWeekly.com posted a look at Sergio’s incredible “History of MAD” pull out poster, complete with magnifying glass to get a closer look. This really is a magnum-opus piece of work from the great Sergio. Go take a look. READ MORE

Inside MAD Inside Stuff!

October 29th, 2013 | Posted in MAD Magazine

Now that the official release date is here for the book Inside MAD, I can finally share the original piece I did for the book, and my choice for all-time favorite MAD article. First, the original piece: The introduction of the book is written by the very successful comedy film writer, director and producer Judd Apatow. In his intro, he points out that MAD never has done a spoof of any of his movies or TV shows. So, thanks to the efforts of MAD scribe Desmond Devlin and TV/Film writer Paul Rust, we did a special two-pager entitled “A MAD Look Behind the Scenes at… READ MORE

Sunday Mailbag

September 29th, 2013 | Posted in Mailbag

Q: I’ve read your articles on the evil of doing work-for-hire art. Isn’t MAD work-for-hire? Why the double standard? A: It’s true, I have railed about the inadvisability of work-for-hire agreements, which are agreements between the artist and the client wherein the client owns not only the copyrights to the work, but all the originals and every scrap of every concept or idea you did for that project, forever. Usually this is not a very good deal for the artist, because that work can become a cash cow for the client with no further payment to the artist necessary. That said, there are some exceptions… READ MORE

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